Information Graphic
I chose this clip because as I remember from my childhood, Rugrats, had such interesting camera angles. The show portrayed the point of view from a baby. Not only was the show focused on the babies, but also the composition. The directors clearly emphasized a "child's point of view." The composition in each scene is intriguing to the eye because it is as if you are looking through Tommy's eyes. We see his parents at an angle from the floor as well as the clumsiness of a baby trying to walk. This trailer for the movie truly incorporates the perspective and composition through the eyes of a baby. I love that a childhood show can express such beautiful transitions and composition.
http://www.youtube.com/watch?v=zahlMAwHrsM&feature=related
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This information graphic is interesting because it is an interesting design in which many newspapers don't embrace. This text graphic combination is a useful format when you need to present complex information. You can load this format with a lot of of information without it feeling overwhelming. This infographic is notable from an information design perspective as it mixes texts and graphics and uses time-shifting, focus, and abstraction to explain why Johan Santana's changeup is so effective.
Remind Me from Röyksopp on Vimeo.
This video features the 1970 film "The Conformist" covered by Kanye West's "Addiction." The video follows the main characters and several selected interactions throughout the film. The music brings depth to the silent storyline by adding imagination and creativity for the viewer.
The following two clips: from the first and second Tron movies, are posted for a visual comparison. In the first clip, Tron lightcycle designer, Daniel Simon talks about the conceived look of the new film, plus there's a brief shot of the lightcycle in action at the end. The first clip is interesting from a design perspective because Simon discusses the abstract meaning behind the "face" of the lightcycle. Notice too, that in this remake of Tron, which comes out on Dec 17 (also my birthday) how spatial the lightcycle scene feels. As Simon says (smirk)... you can see the lightcycle from all angles, including the bottom.
Labels: Dont do da do what I dont da do
In this Alice in Wonderland clip at first she is really small and the rabbit takes up the negative space in the background. Then she grows and takes up most of the screen. There isnt much negative space behind her, but it is taken up by the wall and leaves. When it shows the queen the negative space behind her is taken up by the grass, bushes and crowd of people.
The advantages of a wide value range is that it makes a painting more realistic, and a sense of depth. A wide value ranges also make it easier to show contrast between colors and gives off a “theatrical” effect. The advantages of a narrow value range is that it can portray a calmer scene. It includes subtle effects and simplicity. A narrow value range gives of a quiet or meditative feeling. My work is best created with a wide value range in order to show the contrasts between colors. It is important for there to be extreme contrasts of color because it will make the shapes stand out enough to make it show that it in not just a shape but it is forming an actual picture like a person or a car.